... one day he found a great, reddish slab of stone on the side of the road. it shone. could he transfer the very same color onto himself? he searched and found a rough surface which he used to scrub the stone hunk until there was a pile of crimson powder. mixing it with water, he coloured his body with the shinning red. standing there painted, he began to sing. as he sang, the stone slab on which he stood opened and swallowed him up. even today, on passing this stone, they say one can still hear the song of the enchanted. from below the surface of amsterdam s underground, depth over distance will release its first ep of spaced out grooves conjured by eversines. four jams covering the spectrum of deep electronic music ranging from slow building anthems (pyramids) and acid fuelled dubs (transition portal and vultures) to the celestial closing pads of the other side signifying the first stop on this journey.

the cowboy moved slowly out of the booth and into the studio. you could tell by the look in his eyes, that the half-dozen shots of chivas regal had put his ego to rest, and he was ready to sing with the lady. they sang for three nights - the cowboy and the lady, and the gods were kind, and their album was finished on time. herein, lie the results…some good, some bad and some more. - lee hazlewood

beck’s 1998 album back on vinyl with code for high quality digital download included.

180 gramm vinyl im klappcover.

2016 has been a good year for re-editor evil smarty and here pops up on tonbe s disco fruit imprint for the first time on vinyl. this is is a low-slung disco shuffler turned into a toughened-up house roller. if it feels good sees him in a celebratory mood (think sing-along disco funk with swinging new locked-in drums). feel the fire is a superb re-cut of the osmonds i,i,i that benefits greatly from some fresh new acid lines and the get down, a killer, 98 bpm funk revision that makes great use of the source material s urgent, impassioned vocal, bluesy guitars and wild synthesizers

another 1960s 7inch soul gem, unearthed and held up to the light courtesy of rocafort records. the heroine of this story is atlanta born delia dee dee gartrell, schooled in the art of gospel and jazz, but banned by her mother to sing any r n b that is until delia met the mighty hannibal, a powerhouse bluesy soul producer and future husband who put her up where she belonged and got her singing about stuff that her mother wouldn t have approved of. mid-tempo stomper, i must be doing something right, is an irresistible sassy classic, originally the b side of the single if you got what it takes (they can t take what you got) released on maverick records. the horns and drums tease the toe-tapping rhythm along while delia belts out with raw fire about not being a great looker, cook or housecleaner for her man, but when its time for sleeping, he thinks i m something outtasight. i must be doing something right. cheeky in spirit, chunky in swing. full of all the urgency and feistiness you d expect from a repressed southern soul vocalist. written by delia and hannibal, fight fire with fire boasts a similar production style but this time with a prominent electric guitar riff, emotive strings and heavenly backing vocals. describing the cheating man who s gonna get exactly what he dishes out, delia reads out the riot act with more punchy promise than threat. a must for all 7inch soul collectors, a thing of rare beauty.

dub-stuy welcomes up and coming producer blind prophet for a conscious dub release in collaboration with russia’s tenor youthman and italy’s numa crew. long island, new york s blind prophet makes his debut on dub-stuy records alongside the vocal talents of tenor youthman , one of the founders of russia’s lion posse sound system. ‘ marijuana burns capitalism ’ is a deep and meditative social statement sure to move the dance and stimulate the heads. on ‘marijuana burns capitalism’, blind prophet lays down a solid riddim, with a deep driving bassline and a bubbly harpsichord skank, for tenor youthman to sing about the liberating properties of hemp in fighting the evils of mass production and capitalism. the result is a simple and effective cut backed by a sparse dub that lets the drums and bass roll out to full effect. the flip side sees florence’s numa crew deliver their own fire for the dance with another straight to the chest dub version that focuses on the bassline and tenor’s unique vocal style. a 12” for the massive that continues the uplifting sound system music dub-stuy is known for.

mehr als ein jahr ist vergangen seit dem letzten solo-album „aus dem schoß der psychose“ und es ist wieder viel passiert im leben des el-general lakmann. anfang 2017 kam das zweite album von witten untouchable, danach folgte die rou tour und ein erfolgreicher festival sommer. und spätestens seit dem out4fame dürfte jedem bekannt sein, dass lakmann als feature auf dem bunkerwelt album von sido & savas zu hören sein wird. bereits ende letzten jahres deutete lakmann in interviews auf einen kommenden release hin. zusammen mit dem produzenten-team orange field bastelte er an seinem nächsten solo-projekt und nun können wir mit stolz den titel präsentieren: „fear of a wack planet“.
die vinyl-lp erscheint inklusive album-cd.

swiss-based, jamaican producer ezikiel returns to cadenza for his another outing, this time dropping the tales of roots ep. with this new ep he demonstrates his flair for the musical side of club compositions, imbibing his productions with sultry atmospherics, deep emotion and organic keys and strings. the title track tales of roots is a 15-minute opus, which unravels slowly but surely, working from a soft yet persistent bassline and a hypnotic rhythm. samples of tribal singers add a distinct human element, entrancing you with their organic vibrations. as the voices continue to sing out you’re transported to a vibrant sub- saharan landscape, captivated by the irresistible guitar riff on the flip we have makha poetry, a more experimental workout with a variety of warped and twisted effects spluttering and wobbling away at its foundation. the jaunty yet slightly eerie low end gives this track a naughty allure, as those strange bleeps and whirrs continue to bounce in and out of the background. theres a controlled restraint about makha poetry which gives it a devastating simplicity and a very unique aesthetic.

zweite kollaboration zwischen steve cobby (fila brazillia) und dem autor russ litten beide geboren in kingston upon hull nach ihrem hochgelobten debütwerk my people come from the sea (2016). hauptbestandteil von boothferry ist rime, eine vierteilige erzählung auf balearischen beats, inspiriert von der triple trawler tragödie von 1968, als 58 fischer aus hull in heimtückischen, arktischen gewässern ihr leben lassen mussten.

music on vinyl proudly presents a brand new series of collected albums. the new albums will focus on memorable artists with almost a life span of original intriguing music, covering a timeless musical period!
ub40 - collected has captured all the different phases of the band in one complete album, from classic hits combined with the new!
pressing on 180 gram audiophile vinyl, housed in a gatefold sleeve with high quality pvc protective sleeve. includes a 4 page booklet with liner notes and photos.

hippopotamus wurde von den sparks selbst produziert und in los angeles aufgenommen. das bruderpaar ron mael (keyboards) und russell mael (gesang) ist seit 1971 musikalisch aktiv. ihre ausgefeilten, oft tragisch-komischen texte, der sympathisch-schräger blick auf die popkultur, ihr zuweilen theatralisches auftreten und russell maels falsett-gesang sind ihr markenzeichen. zu ihren großen hits gehören -this town ain t big enough for both of us- und the number one song in heaven, letzterer entstand ende der 70er jahre in zusammenarbeit mit giorgio moroder. -when do i get to sing my way- von dem album -gratuitous sax & senseless violins- war 1994 der meistgespielte song im deutschen radio. mit ihren jüngsten werken -lil beethoven- (2002), -hello young lovers- (2006) und -exotic creatures of the deep- (2008) verfeinerten sie ihre musikalische rezeptur noch einmal und kombinierten cleveren pop mit orchestralen arrangements. diese entwicklung schreibt hippopotamus fort, baut aber auf mehr pop-appeal und großartige melodien.

hippopotamus wurde von den sparks selbst produziert und in los angeles aufgenommen. das bruderpaar ron mael (keyboards) und russell mael (gesang) ist seit 1971 musikalisch aktiv. ihre ausgefeilten, oft tragisch-komischen texte, der sympathisch-schräger blick auf die popkultur, ihr zuweilen theatralisches auftreten und russell maels falsett-gesang sind ihr markenzeichen. zu ihren großen hits gehören -this town ain t big enough for both of us- und -the number one song in heaven-, letzterer entstand ende der 70er jahre in zusammenarbeit mit giorgio moroder. -when do i get to sing my way- von dem album -gratuitous sax & senseless violins- war 1994 der meistgespielte song im deutschen radio. mit ihren jüngsten werken lil beethoven (2002), hello young lovers (2006) und exotic creatures of the deep (2008) verfeinerten sie ihre musikalische rezeptur noch einmal und kombinierten cleveren pop mit orchestralen arrangements. diese entwicklung schreibt hippopotamus fort, baut aber auf mehr pop-appeal und großartige melodien.

fun fun “greatest hits & remixes” is now also available as a limited vinyl edition. selected tracks and mixes complete the already available double cd and are a real treat for all vinyl lovers.
another highlight for all italo disco vinyl lovers!

while still popping up on the likes of delusions of grandeur and mister saturday night, nebraska has been lately channeling much of his energy into his emergent friends & relations label as a vessel for his own productions. this third installment on the label kicks off with the warm, honey-coated chords of rien ne vas plus, which rides on an easy groove and lets the keys sing out in a hazy summer reverie. the version follows suit with a similar disposition, while both takes on dont you know on the b side deal in a common goal to gently coax all kinds of woozy soul sounds through a laid back house framework.

limited to 100 copies!
megafon is the first in a line of releases from diskodans recordings. where dancing, joyfulness and the northern music producers of scandinavia will, once again, be at the top of their game.

delroy wilson the original ‘cool operator’ was also known to many as ‘teacher’. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroy’s rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne dodd’s studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottinger’s tip top label. again producing such hits including ‘it hurts’ and ‘put yourself in my place’. the 1970’s saw delroy wilson’s arrival at bunny ’striker ’lee’s door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroy’s career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as ‘who care’ ,’can i change your mind’,’get ready’,’you must believe me’ and the timeless title track to this collection ‘here comes the heartaches’. an album of great tracks cut with ‘the hitmaker from jamaica’ bunny lee and his team. a match made in heaven….enjoy the set….

die reggae anthology-serie präsentiert zwölf ausgesuchte singles auf longplay-vinyl, die alle zwischen 1972 und 1985 veröffentlicht wurden. inklusive der beiden 12-inch maxi-single versionen -promised land- (extended mix), der in kooperation mit der renommierten uk-gruppe aswad entstand, und -children of israel- (special 12- mix), produziert von ossie hibbert. darüber hinaus gibt es seltene 7inch single a-seiten, die von jackie mittoo, niney the observer, phil pratt, herman chin-loy, joe gibbs & errol thompson, derrick harriott und dennis brown & castro brown produziert wurden. die aufnahmen wurden von den musikern der backing bands eingespielt: the taxi gang, the professionals, the now generation, crystalites. aggrovators, roots radics und soul syndicate. erstmalig erschien diese lp parallel zu dem 2cd+dvd set -crown prince of reggae- im jahre 2010 und ist jetzt wieder erhältlich!

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

steve cobby, eine hälfte des legendären balearic-duos fila brazillia, legt sein zweites soloalbum vor. “everliving” ist eine wundervolle kollektion aus 14 gefühlvollen, entspannten, vollkommenen balearic-pop-songs und -melodien - verteilt auf doppel-cd und triple-lp -, die namhafte kollegen wie phil mison, peter kruder, dave harvey, harold budd oder richard norris bereits zu lobeshymnen animierte.

reissue from this soul/jazz-funk fusion album originally released in 1982 on poet records. 500 copy ltd edition! this sought-after album is an amazing and unique creative project produced and composed by david eric tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

if god had a disco, the dj would be playing california gospel-soul group the supreme jubilees. “we won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “it’ll all be over.” prepare to dance and contemplate death all at the same time.

2020 repress available! the triple vinyl contains a download code for the full 13 track album.
“ok so this is my 7th album, it doesn’t feel like it but i don’t know what should ... the last dnb album i wrote from the ground up was overflow, so in between i released shelflife 2 a compilation of unreleased tracks, and shine a light my weird departure from everything, with even ifË. i was back on familiar ground, i employed my voice a few times, got emotional, forgot everything and turned the tempo up. i am always looking for the songwriter slant in dnb, to feel the blues in my music is important to me, it is a raw connection i never get tired of looking for. and to sing it means a lot to me. i have tried to cover my own long standing interests in a musical genre that was supposed to have died a long time ago. and so here it is, a collection of tunes i have put together for the purpose of moving some part of you that’s the same part of me.” - calibre 2010

benjamin is back with a follow up to last years smash hit light of my life b/w dreamins for free.this time out backed by the fabulous dreamdances benjamin shows no signs of slowing down with the sophomore release on palmetto street, not one more tear b/w thats what you mean to me. side as quick tempo and strong buildups are not only the perfect platform for a story of persistence and self-realization but an irresistible 4 on the 4 dance floor groove. evoking the murky underground stormers of detroit circa 66 its an ideal prime time spin for your local soul club. thats what you mean to me is a charming ode to love that s yet to arrive. falsetto lead vocal stacked up with syrup sweet group harmony backups and offset by big boss brass all resting on top of a floaty mid tempo groove. it s certain to warm up any vibe with an irresistible sing-a-long chorus.

the best and most delicious german liveband with their 4th album, the beatsteaks with “smack smash”. the album contains as many hits as its forerunner “living targets”, but this time they captured even more of their live frenzy. top rankings allthroughout the country, saying “...long time there was none more rocking out!”.
this re-issue includes a downloadcode.

das beste vom besten von the bosshoss auf doppel-vinyl im klappcover.

biomechanoid is the classic 1980 album by composer and flutist joel vandroogenbroeck. the cover art served as the basis for the design of the movie alien. its 1980, in munich, germany, upstart production music label coloursound library releases their debut album. capitalising on the success of ridley scott s alien film, the label dropped biomechanoid, featuring cover art commissioned by hr giger, whose horrific necronom iv lithograph served as the basis for the design of alien and the music of the relatively unknown joel vandroogenbroeck. comprised of bleak, cinematic synth soundscapes and percussion, the album served as an inaugural calling card for what would be a decade of dizzying solo releases by vandroogenbroeck for coloursound, running the gamut from mesopotamian ethno-folk to synth sequencer funk to electro drum breaks to in-utero ambient delights

hoel’s contribution to this disorientating piece of engineered sound sculpture, is imagined as a schizo-paranoid state of delirium. voices whisper over evolving modular phases of heavy, distorted nothingness. it is a full theatrical construction featuring a haunted choir conducted to sing in the producer’s own unique voice.
the second side features two tracks by label debutant simon marchesini. subtle, brooding almost-there beats reach from underneath, intertwining themselves with a rich sound carpet of complex poly-rythms and twisting vortex-like pads. marchesini seeks to push sound to the very limits of the spectrum.

a riotous romp through imaginatively used samples, familiar piano riffs, customary beats and other rave tropes, the master of mischief luke vibert puts together a 10 track ode to the era of m25 convoys, mobile phone hotlines and raving amongst dogs on strings in british aerodrome fields. with a long and extensive history in the uks dance counterculture spanning three decades, vibert has released a barrage of inventive and animated music over the years that really doesn’t take itself too seriously, and is all the better for it. lps and singles for mo wax, warp, planet mu, ninja tune and rising high really speaks for itself, so its a honour to welcome vibert back onto hypercolour (after 2014s ridmik album and 2015’s return of his kerrier district moniker).
the double vinyl release includes a download code.

shag edits series hits volume 7 and in great style. we welcome oli furness to the shag party and he delivers two outrageous cuts. u can is a disco bomb hitting you in all the right places, from the hands in the air, to the guilt free sing along moments. kick it rocks a hip house feel, holding real grit and groove throughout. jamie joins oli on the a side with woody dunked, anyone who knows jamie s work will recognise the style, always grooving, hard hitting snares and heavily sampled. bress underground ties up the b side with another disco gem. again its a let your hair down, vocal groover with a carefree attitude.

tenor singer johnny clarke had many false starts in his youthful days. hanging around studio one as a schoolboy with jacob miller, clarke was supposed to record material written for him by bob andy, but somehow never made the grade. his 1973 debut recording for lesser-known producer glen stair was not released, and early work for clancy eccles failed to hit, though ‘everyday wondering’ for rupie edwards made an underground impact in britain and new york. subsequent singles for keith hudson and glen brown also did not get very far, but the breakthrough finally came when bunny lee asked him to sing ‘none shall escape the judgement,’ which was written by the singer earl zero, it became a massive hit that launched the ‘flying cymbal’ craze (based on an open-and-closed high-hat cymbal pattern, adapted from the soul train theme), and clarke became one of lee’s most reliable hit-makers, partly because lee stoked a rivalry between him and cornell campbell, whom lee had previously asked to voice ‘none shall escape.’ clarke’s satisfaction lp was recorded at harry j for lee, voiced at king tubby’s studio, and issued by third world in 1979. it is a set largely comprised of cover tunes, such as the strong opening update of the paragons’ ‘riding for a fall,’ the title track adapting their rock steady hit ‘my satisfaction’ in a post-rockers style. better still is the hard-hitting ‘reality’ tune, ‘play fool, get wise,’ which uses a proverb to relate a means of avoiding trouble on the dog-eat-dog mean streets of kingston.

enois scroggins is very popular now on the new funk scene, his boogie synthe is very appreciate in france by the boogie collectors attention quantity limited at 250 copies only

mit seinem neuen album »x« bricht ed sheeran alle rekorde: allein in der britischen heimat verbrachte das zweite studioalbum des sängers acht wochen in folge auf platz 1 der charts und hat dort bereits doppel-platin erreicht. damit ist »x« nicht nur das bislang erfolgreichste album des jahres in uk sondern auch das am längsten auf # 1 platzierte album in den uk-charts seit adeles »21«. »x« verkaufte sich weltweit bislang über 2 millionen mal, und auch bei uns steht das album bereits kurz vor platin-status . nach den hit-singles »sing« und »don’t« folgt nun der neue outtake »thinking out loud«, eine leidenschaftliche ballade über das gemeinsame altern mit der liebe seines lebens.

long celebrated as the hottest funk band around, with a sustained tenure of fiery singles and a distinctive northern funk sound, the haggis horns are coming at you with their latest track! exclusive to stutter & twitch, outta my head has been re-recorded and re-released, renovating hh tantalizing sound into an, ass shaking hit for the ages! 3rd march will see the horn s twelfth release in as many years, with str004 marking our funkiest release to date! side a, outta my head gives you the haggis horn s sound that we all know and love, bringing a classic, carefree warmth just in time for spring, with a rejuvenated angle! destined to be an instant classic, the seven-piece have besieged the track with ample horns, enticing keys, frenzied backing vocals all in a killer verse/chorus/solo combo. a contagious sing-a-long and a party starter, all in one! side b give me something better is an example of established producer/artist, werkha shying away from the electronica norm of decapitating funk standards of their soul. by adsorbing the rhythm, and imparting a creative flair and organic sounds with an infectious curiosity, werkha places the funk innovators in an augmented light.

nous horizon is yukseks great studio album comeback, 5 years after his last album. yukseks characteristic sound, midway between post-disco, house and pop, shines through on its various tracks. even more than on his last album, living on the edge of time, yuksek shows his talent as a singer. nous horizon is an album of mostly duets, invitations to sing together (break my heart, sunrise, sweet addiction, stay) featuring greek singer monika, french pop bands her, juveniles and roman rappak (from band breton) his new melodies are sunnier than before his beats and production more subtle.

it’s the forgotten place. lying between the mountains of northwest tunisia and the algerian border, the bargou valley and the village named after it lie isolated, away from the world. it’s poor, barren country, but standing apart, bargou has developed its own culture that had never been documented until nidhal yahyaoui began the task. born in the valley, he grew up hearing his parents and family sing the songs that belong to the region, and he was determined that the music and traditions shouldn’t slip away into obscurity. with targ, the album he’s made with his band bargou 08, yahyaoui has perfectly fused the past and the present to place bargou on the map.
the 180 gram vinyl comes in a gatefold sleeve with download code included.

slick 3 tracker from bas bron under his popular fatima yamaha alias. the synths sing on this one! another beautifully produced 12inch from the dutch veteran. tip!

ausgewählte highlights der 2 cd compilation “swing with the best big bands” jetzt auch als vinyl erhältlich.

atr is a one of a kind reggae collective based in parkside brooklyn. founded by scrillamatic and kg, at their core they are just group of friends who hang out in the park and sing, all day. the routine is simple, they meet up at their favorite hangout spot on the side of a lake, play beats off of a beat up but loud stereo, and belt out lyrics out into the air. sometimes a crowd gathers but it’s usually just a few like minded artists sharing their love for music. natives of the west indies, but coming of age in brooklyn, they have a very unique perspective on life and the world we live in. with subject matters varying from traditional roots medleys, smoked out ganja anthems to gangsta badman chants to heartfelt soulful ballads telling tales of the ghetto and more, they have a lot to say.

the mighty flames were a crack bunch of cameroonian musicians, drawn to nigeria by the heavy funk sounds booming across the border like musical moths. for a short time in the late sentries they ‘owned’ port harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. metalik funk band is the band at their most deadly.

>i take my guitar and strum and sing some tings and blow peoples mind. but i aint trying to do anybodys music. im doing what i feel< - shadow when it came out in 1984 the far-out album sweet sweet dreams by trinidad & tobagos shadow (aka winston bailey) was described as way ahead of its time. undeservedly it was panned by critics and, unable to reach markets, disappeared into the dusty record collections of a few music aficionados. now, more than three decades later that cosmic dance-floor ufo is about to take off again, change all that and set the record straight. remastered and cut by frank meritt at the carvery the album is truly a masterpiece.

20th anniversary edition black 180 gram double vinyl.
based on the irvine welsh novel of the same name, the film version of ‘trainspotting’ directed by danny boyle became a cult sensation. focused on the heroin subculture of edinburgh in the 1980s, the film is occupied with surrealism, black comedy and features a great soundtrack. this album includes tracks from iggy pop, new order, blur, underworld and many more. to celebrate the 20th anniversary of the iconic drama, the original soundtrack is being reissued on cd and vinyl. having been out of print for a long time, the 180g vinyl features replica original artwork that includes special silver spot finishes throughout - front, back, booklet and picture labels, as well as bright pantones.

over the last decade, bantam lions (aka liverpool producer mike carney) has devoted much of his spare time to “playful experimentation,” channeling 30 years of musical inspirations and adventures to create electronic music that sits somewhere between hazy nostalgia and far-sighted futurism. now, he’s gathered together some of his favourite moments to create short stories, a debut album – and scenery’s first long-form release – simply overflowing with page-turning musical narratives.
these are short stories to savour, to get lost in, and to revisit time and time again. they’re bantam lions’ stories, but he’s happily shared them for others to enjoy.

after a few months of silence following head honcho marco shuttles sing like a bird (reprise) ep, eerie records is back on duty with a strong and utterly refreshing techno release by talented artist serena butler, an obscure producer digged out of the submerged underworld as it already happened previously on shuttles imprint that got us used to releases by relatively unknown and underrated artists. arpeggiated synth lines layered on booming reverbed kick drums mixed with percussive elements of distorsion and lush pads make for a very playable release that is at the same time dreamy and deep, despite being also very organically open sounding, musical, and in many ways counter-trend and different to the dominating dark droning techno style that is so popular these days.

harmonischer indie-dance aus new york zum zuhören und tanzen auf doppel-vinyl.

tee mango is the alter ego of millionhands founder tom mangan and imperfections vol. 1 is his debut long playing record. after the success of his theo parrish inspired tribute 12s tee mango returns with imperfections vol. 1.early support on this coming from: caribou, leon vynehall, axel boman, tim sweeney, moxie, wolf music, laurent garnier, kornel kovacs and a selection of others. imperfections vol. 1. is a celebration of off kilter electronic music. featuring vocal contributions from femme aka laura bettinson of nigel godrichs ultraista, and the edo van breemen of canadian pysch wizards brasstronaut. full of pleasantly discordant musical mistakes and loose sample-laiden coincidences. fill your boots. x

whiskey disco small batch series are custom made for summer weather, water sports and festivals. the make your day ep see s four brand new cuts featuring derek kaye, sandrobianchi & tripman, rabo & snob & love drop

nice price deal !!! this is the first single taken from remutes new, entirely crowdfunded album play the game and you can sing a long to it in the shower. get lucky meets bubblegum crisis meets ymo meets 16bit videogames meets ...